Friday 22 January 2021: Lindsay is an English literature teacher by day, self-taught hand-stitcher by night living in Tokyo Japan.
Growing up, Lindsay was always described as the “creative one”. She drew, painted, but never had the opportunities to take art classes or was able to consider art as a viable job, so she pocketed away my creativity and pursued practical things. It wasn’t until she was in her early twenties and desperately seeking a creative outlet that she began dabbling again, but Lindsay had no clear direction. Lindsay tried to teach herself to play the accordion, the banjo and the ukulele. She also started sewing her own clothes, and learnt to knit. Lindsay painted with watercolors as well.
For about ten years, Lindsay was rediscovering herself in an aimless way. It wasn’t until she joined Instagram and discovered the concept of textile art that the ten years of trying to find her own voice through her creative expression finally clarified into the realization that with something so small as needle, thread, and time, the possibilities were really endless.
Lindsay says, ‘Hand-stitching for me is the perfect marriage of a lot of what I hold dear. Through making my own clothes I came across the concept of slow fashion and mending. Moreover, living in Japan, I am inspired by Sashiko stitching, boro fabric, and the concept of “mottainai” or “waste nothing”. In a fast fashion world, hand stitching is my own personal revolt. My work takes time, and that is ok. My work is made from second hand or recycled materials. And that is ok, too, because I don’t want to contribute to any more detritus in the world.’
‘Through my work I aim to take seemingly worthless things, especially textiles, and transform them into small tokens of beauty that can be enjoyed in everyday life.’
Tessa Perlow is one of the first second hand upcycling and motif influences on Lindsay.
Lindsay suggests that new starters should use what they have at hand. Machine thread is what she uses. The important thing is to start!